My photographs on your walls: Redbubble

I've uploaded some of my images onto Redbubble. So all of you who might want any of these images for your walls should hop on over and pick some up.
I've put up only a few images right now, neutral stuff that might work easily as wall art. (Only I think of snakes as neutral?) If theres something specific you would like to have drop me a line and I'll add it.

The rains

Jungle myna collects termites at emergence
The rains have been on now off again this season in Bangalore. (And the last season, and the one before that). I bet every creature that synchronizes it's life cycle to the rains is just a tad confused. Nonetheless, the showers over the last few days brought a dutiful few termites out of their holes in the ground.


A Common myna joins in the act
And the birds dutifully waited as well. The pickings were good and even the littlest creature got a little something. Out of each hole would emerge a few termites and then stop. The flock birds kept whirling from one hole to another trying to catch the stutters of the food stream at the right moments. Most they caught, the few that escaped will perhaps breed and create new streams for the coming years.




A Zitting cisticola/ Streaked fantail warbler with a termite

Where have I been?

PS. I work on field crickets
I've been away from the blog for a bit. Heres why: I just presented my thesis work to the department. It went well and it's done! Yea! Four of us actually gave what are called colloquia in just one week. And the junta are wondering what they're going to do over the next week when there aren't any!

It's done and I should be able to update a bit more often from now on again, hope I haven't lost all of you in the intervening time.

Wildlife photo secrets(5): Which one's are the keepers?

Red weaver ants eat a dead Giant African land snail
Disclaimer: This is going to be my most ambitious post ever. Please disagree with me and tell me how you do it, we will all be the richer for it.
Can't get no satisfaction

So you know how to take photographs? You know about aperture and you know about shutter speed, and you got exposure down pat and you can even light up things perfectly. You got the best gear, your money can buy. You can take pleasant, well lit, aesthetic pictures. But you still can't get no...satisfaction. You look at your shots and they seem an incoherent mess. Then you look at someone else's, and they seem so... together and each of their shots seem so ...good! What's going on?

Everyone, at least every human hits this plateau. You learn like crazy in the beginning and the curve is steep and then it peters out. You plateau out, and then flounder because you don't know which way is up. You look at shots that once made you the proudest photographer in the world and they aren't enough anymore. How do you get better? As Mike Johnston put it, that is the crucial sentence. You need to want this first, everything else follows. If you don't ask it you're a non-starter.

Recently hatched spiders parachute off their natal leaf
What does this have to do with keepers, or basically good photo-editing? Everything. Get this, shooting great pictures is only the first step. Knowing the good ones from the bad is the second. To become a better photographer, you must know good photography.


Step 1: Intention
Here comes the contentious part. What is good photography? The way I see it, is it all comes down to, what is the intention behind the photography, whether it is a useful / interesting / whathaveyou intention, and whether it is achieved. The second and the third as you can obviously see are extremely subjective. Whether something is worth it or not and whether it achieve what you want is debatable. Having an intention at all is not subjective...(or is it? Humans are known to make up post hoc for why they did something even when they could not have had any reason to do so.)

So then one of the first steps is to have an intention, an intended goal, preferably before you shoot. Less desirable would be to generate it for a certain specific project when editing through your archive for it. What is the story / narrative / emotion / feeling / thought that you want your photograph(s) to convey? What is it's purpose? Why is it in your keep section? Many people fail right at this step. They don't have one.

A Zitting cisticola zits
To me all the other things, light, aesthetics, composition, colour, sharpness, bokeh, everything is eventually subservient to this goal. If they don't serve it, they detract. Never make these your ends, you'll will have beautiful, sharp, etc photographs not good ones. Because good asks good for what?


Step 2: Is it worth it?
Off course, cueing from the previous section, cleverly you are going to ask for whom? Here is where your audience comes in. Who is this image intended for and are they/he/she/it going to think it's worth it. It's subjective, but it's better focused. There are no rules for who the audience is (it can even be just you). But once you have picked one, you've got to play by their rules. Or know them, at least, and break them effectively and to some effect.

You cannot (usually) show an orthodox family audience something like Mapplethorpe's revolutionary presentation of human sexuality and expect them to be pleased about being shaken from their conventions . And you can't show art critics your family shots and expect kudos for originality. There are certain situations (and intentions) in which these statements break down, but presumably you get the drift. Worth it, is worth it for whom?

Step 3: Is it good enough?
Can I do better at telling this story? Is there actually a better story to tell that I have learnt about as I made the images for this story? Does this image effectively pull up the response that I want from my intended audience? If not how can I better it? What would be more effective? In a word, iteration.

A bat pollinated bloom of the African sausage tree
And the willingness to drop the not so good ones. Remember your first may be but usually won't be, your best. As I've said before, there is no simpler non-secret to getting better shots than to keep trying. Judge as objectively as you can, when that begins to fail you, find a sounding board use it. Look at other pictures, learn to discriminate between/judge them. Learn what makes one bird / landscape / insect / whathaveyou photograph better than another, for a goal and an audience. then apply what you learn there to your own. Start over.

And that's how I hope to get better...How do you do it?

Others in this series: Wildlife secrets parts 1, 2, 3 and 4.

Unsuni: The unheard

We had a performance entitled 'Unsuni' performed by Mallika Sarabhai's troop Darpan at the CSIC auditorium this Friday.
In their own words from the website of Unsuni:

"The Unsuni project intends to bring the stories of those people, the faceless, voiceless, helpless masses, to the forefront of our conscience, to the front pages of the news. While not wanting to take away pride in India’s successes, we want to provoke those who can make a difference to take action to make things better for the unfortunate.
...
We aim to become a catalyst in having this volunteerism become a movement, by tying together with activists and NGOs who need help and can direct youths’ energy properly and usefully. We feel that if India is to grow as a healthy country and not one increasingly threatened by Naxalism and violence, it is an essential and urgently needed step that we fuel the debate on the marginalized amongst youth that are otherwise obsessed by brands and malls."

Here are some disorganised stills from the performance and the setup before it.