This is where some of my art/sciart goes. Look on the right for a link to my research website.
Thursday, April 20, 2006
Food
Can you imagine a world where you stumble onto a pile of your favourite food, and its BIGGER than you?
Wednesday, April 19, 2006
Speed
One thing about a lot of wildlife, its come and gone before you know it. A split second of something, is often all you'll ever get. If you're not fast, you wont have pictures. Think about it, I waited a few hours for this 100th of a second.
The other thing is get level. What I like most abt this image apart from the motion is that you can see the space between the ground and the belly. It's an animal that spends its life close to the ground, in the undergrowth. Its a long animal, its a hairy animal and a quick one. The image manages to convey all of that in an abstraction.
A head would distract from this message, it would give the animal an idividual personality, perhaps an expression. And we would be diverted there...maybe not such a bad thing, but it wouldnt be this picture...
This picture for example, it suggests, tall, or actually long since the animals arent usually standing. but it adds other elements, vigiliance, and for me certainly humor in that bow-legged very awkward looking hind leg stand. theres the other elements for instance, where did this neatly peeled banana come from? and mongooses eat bananas?
This other image of the mongoose standing taken from the back, on the other hand ,has tall / long and vigiliant. none of the other elements. its not funny, either which could be good or bad....
The subtext to all this is that photography often is about deciding how much to leave in or out. not only in elements but even in subjective experience of a picture.
Some pictures base themselves on a narrative in the elements that are in the picture. the one below for instance, theres a temple, theres offerings, theres a mongoose eating them, theres a larger looking mongoose (most likely mum) hanging around waiting in the background. you can construct a fairly complete and complex narrative around that. And these are apparently all the rage now, the complete story in a frame.
but there are complete, if not complex stories, in shots like the first one. removing elements from an image does not necessarily compact the scope of an image. but it does place greater demands on a viewer. It is therefore harder to pull off successfully.
Usually its got to trigger some instantaneous gut feeling. then give you just a couple of details and leave you with that.
the first picture, hey whats that moving so quickly. hmm legs, fur = animal, probably some long thing, didnt fit in the picture. wheres it going to in such a hurry? maybe its escaping from something. maybe not, thats always how you see critters, scurrying off to their next unknowable task...furtive, hiding under stuff, bellys scraping the ground. no wonder we hardly ever see em. just some blur off the corner of the eye. .....no wonder the weasel (this looks like one) has been associated with sneakiness...and so on
if that tenuous something can be triggered i think a photo works. off course i dont know if it does for you, you could tell me. but thats (sometimes) what i try and guess at when i pick something and discard some pics...
The other thing is get level. What I like most abt this image apart from the motion is that you can see the space between the ground and the belly. It's an animal that spends its life close to the ground, in the undergrowth. Its a long animal, its a hairy animal and a quick one. The image manages to convey all of that in an abstraction.
A head would distract from this message, it would give the animal an idividual personality, perhaps an expression. And we would be diverted there...maybe not such a bad thing, but it wouldnt be this picture...
This picture for example, it suggests, tall, or actually long since the animals arent usually standing. but it adds other elements, vigiliance, and for me certainly humor in that bow-legged very awkward looking hind leg stand. theres the other elements for instance, where did this neatly peeled banana come from? and mongooses eat bananas?
This other image of the mongoose standing taken from the back, on the other hand ,has tall / long and vigiliant. none of the other elements. its not funny, either which could be good or bad....
The subtext to all this is that photography often is about deciding how much to leave in or out. not only in elements but even in subjective experience of a picture.
Some pictures base themselves on a narrative in the elements that are in the picture. the one below for instance, theres a temple, theres offerings, theres a mongoose eating them, theres a larger looking mongoose (most likely mum) hanging around waiting in the background. you can construct a fairly complete and complex narrative around that. And these are apparently all the rage now, the complete story in a frame.
but there are complete, if not complex stories, in shots like the first one. removing elements from an image does not necessarily compact the scope of an image. but it does place greater demands on a viewer. It is therefore harder to pull off successfully.
Usually its got to trigger some instantaneous gut feeling. then give you just a couple of details and leave you with that.
the first picture, hey whats that moving so quickly. hmm legs, fur = animal, probably some long thing, didnt fit in the picture. wheres it going to in such a hurry? maybe its escaping from something. maybe not, thats always how you see critters, scurrying off to their next unknowable task...furtive, hiding under stuff, bellys scraping the ground. no wonder we hardly ever see em. just some blur off the corner of the eye. .....no wonder the weasel (this looks like one) has been associated with sneakiness...and so on
if that tenuous something can be triggered i think a photo works. off course i dont know if it does for you, you could tell me. but thats (sometimes) what i try and guess at when i pick something and discard some pics...
Friday, April 07, 2006
Sometimes its just about being awake
And then off course once you've seen the opportunity, about taking it. I'm sure you've seen these pots in you're home. well i realised there was a just begun one in mine and i figured that well the wasp will come back and finish it. so i waited for it. the first set of pictures were ok...not close enough, light wasnt right. but because i knew what the wasp would do i could set it up so things would be right...
Then i waited over several days, hoping to catch a trip when she was bringing some mud in...and now i'll wait for until she brings over some caterpillars.
Other times its even easier than that. these are lacewing eggs, they've hatched unfortunately. next time i hope to catch them before that happens. These were on my balcony curtains, the red lights them up nicely, doesnt it?
oh the other story in this one? make sure you've backed up before you delete!!!! i deleted all the RAWs for this session and theres no back up, oh well, they're still there i'll try and redo it .
The addendum to this story is that I was never really able to 'redo' it to my satisfaction. The positions of the eggs had been altered due to many things...and I couldnt replicate what I wanted to. Moral of the story, do not loose your RAW files.
Then i waited over several days, hoping to catch a trip when she was bringing some mud in...and now i'll wait for until she brings over some caterpillars.
Other times its even easier than that. these are lacewing eggs, they've hatched unfortunately. next time i hope to catch them before that happens. These were on my balcony curtains, the red lights them up nicely, doesnt it?
oh the other story in this one? make sure you've backed up before you delete!!!! i deleted all the RAWs for this session and theres no back up, oh well, they're still there i'll try and redo it .
The addendum to this story is that I was never really able to 'redo' it to my satisfaction. The positions of the eggs had been altered due to many things...and I couldnt replicate what I wanted to. Moral of the story, do not loose your RAW files.
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